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      JCG@HOME286163j2023-02-16T15:32:47+08:00
      • Pippin Drysdale, 2018. Photographer: Robert Frith.

      JCG@HOME

      Bringing together a wide range of inspiration and discourse from our exhibitions: artist and curator talks, exhibition flashbacks, short videos, exhibition catalogues, virtual tours and more.

      • Lindy Lee, Moonlight and Rain (detail), 2008, synthetic polymer, oil and wax on aluminium, courtesy the artist and Sutton Gallery, Melbourne. Lindy Lee: Moon in a Dew Drop, John Curtin Gallery, 2022. Photographer: Sue-Lyn Moyle.

      Where the Ink Falls: Curtin Writers Respond

      • Christian Thompson, Subconscious Whispers, 2018, c-type print on Fuji Pearl Metallic Paper comprising four panels: 120 x 120 cm (each), total framed dimensions: 250 x 250 cm. Curtin University Collection. 

      The Personal and the Political

      • Lindy Lee in front of The Life of Stars, 2018, installation view, Art Gallery of South Australia, Adelaide, image courtesy the artist, Sullivan+Strumpf, Sydney and Singapore, and UAP, © the artist, photograph: Saul Steed

      LINDY LEE IN CONVERSATION

      • Student artwork from Michelle Johnston and Sally Goldrick, My Green Planet, 2022. Digital media - online.

      ENVIRONMENTAL VISIONS

      • IJS 0428_ North Star (Lessons of The Hour), 2019_1200px

      FROM SLAVERY TO FREEDOM AND CONTINUING DISADVANTAGE

      A Thousand Words: Curtin Writers’ Response to Isaac Julien

      • Deepening Our Cultural Dialogue

      Deepening Our Cultural Dialogue 3 March

      • Ross Potter, UNCONDITIONAL LOVE, 2021.

      John Stringer Prize Artist Talk 24 November

      • Daniel Kristjansson, Untitled (tree at night), 2021, digital photographic collage on ragpaper, 100 x 80cm, Image courtesy of the artist.

      John Stringer Prize Artist Talk 1 December

      • Simon Phillips, 31st August 2021, 11:15am, 2021, Digital photographic print, 139 x 114cm.  Image courtesy Simon Phillips, IG: @simonphillipsphoto.

      Sense and Sensitivity Curator Talk 8 December

      Word and Image: an experiment in collaborative creative writing

      • Desmond Lazaro, Maharasa Lila (detail), 2002, 225x224cm, pigment paint and gold paint on cotton cloth. Photographer: Sue-Lyn Moyle. Image courtesy of John Curtin Gallery.

      IOTA21 ARTISTS’ TALK

      • John Curtin Gallery, IOTA21, 2021. Speaker Series: The Fruits of Curiosity

      IOTA21 THE FRUITS OF CURIOSITY

      • IOTA21 Conference: Futuring Craft

      IOTA21 CONFERENCE: FUTURING CRAFT

      • Moving Pictures: Dementia, Digital Media and Culture exhibition at the John Curtin Gallery.

      DEMENTIA, DIGITAL MEDIA AND CULTURE

      • IOTA21, John Curtin Gallery. 2021. Speaker Series: Creole Cultures of the Indian Ocean

      CREOLE CULTURES OF THE INDIAN OCEAN

      • 2021 John Curtin Gallery. Public Program. Speaker Series. Writers' Response.

      IOTA21 WRITERS’ RESPONSE

      • Monique Tippett (Aus), Karrakin, 2021, 5 elements dimensions variable, silky oak veneer, ink, synthetic polymers and laquers on board, Photographer Sue-Lyn Moyle, image courtesy John Curtin Gallery.

      INDUSTRIALISATION OVER CRAFT

      • Sunny Dolat (Kenya), untitled, (detail), 2021, silk woven cloth, cotton weft, 154.9 x 271.8cm. Photographer: Sue-Lyn Moyle. Image courtesy of John Curtin Gallery.

      BOHEMIANS, CRAFTSMEN AND THE NEW WOMAN

      • Michelle Broun

      ALTERNATIVE TO WHAT?

      12Next

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      Curtin would like to pay respect to the indigenous members of our community by acknowledging the traditional owners of the land on which the Perth Campus is located, the Wadjuk people of the Nyungar Nation; and on our Kalgoorlie Campus, the Wongutha people of the North-Eastern Goldfields.

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