LISTEN: Imaginary Encounters: Curtin writers respond to Everything Is True 24/2/21
Imaginary Encounters: Curtin writers respond to Everything Is True John Curtin Gallery Wednesday 24 February 2021, 12:30pm - [...]
LISTEN: Abdul-Rahman Abdullah, Artist’s Floor Talk – 24-2-21
Abdul-Rahman Abdullah Everything Is True John Curtin Gallery Wednesday 21 February 12:30pm - 1:30pm Everything Is True is [...]
WATCH: Carrolup Centre for Truth-telling Establishment Ceremony
In partnership with Nyungar Elders and community, we are proud to announce that Curtin University has [...]
LISTEN: Brian Blanchflower in conversation with Chris Malcolm 9-9-20
Brian Blanchflower in conversation with Chris Malcolm John Curtin Gallery Wednesday 9 September 2020, 12:30pm - 1:30pm Born [...]
LISTEN: Abdul-Rahman Abdullah Floor Talk 12-8-20
Abdul-Rahman Abdullah (b.1977) is an Australian installation artist and sculptor whose practice explores the different ways that memory [...]
EVENT: Pippin Drysdale and Warrick Palmateer In Conversation with JCG Director Chris Malcolm WEDNESDAY, 7 OCTOBER 2020
Pippin Drysdale & Warrick Palmateer In Conversation with JCG Director Chris Malcolm John Curtin Gallery WEDNESDAY, 7 OCTOBER [...]
EVENT: The Australian Gothic: Nalda Searles and Theo Costantino in conversation with Andrew Nicholls, WEDNESDAY 23 SEPTEMBER 2020
The Australian Gothic: Nalda Searles and Theo Costantino in conversation with Andrew Nicholls John Curtin Gallery Wednesday 23 [...]
TOUR: Curator’s Floortalk – 11-8-2020
Curator's Talk - Lia McKnight and Chris Malcolm John Curtin Gallery Wednesday 12 August 12:30pm - 1:30pm Director [...]
Indian Ocean Craft Triennial: Curiosity and Rituals of the Everyday
The John Curtin Gallery is delighted to co-present the central international exhibition with Fremantle Arts Centre for this new festival of contemporary craft, IOTA21: Curiosity and Rituals of the Everyday.
The artists in the inaugural Indian Ocean Craft Triennial: Curiosity & Rituals of the Everyday are guided by principles of craft as a social practice capable of enhancing community innovation, collaboration and economic improvement.
Blending traditional practice with contemporary materials and expressions they explore themes such as ceremony, colonisation, gender politics, ritual, and culture. Works include ceramics, fibre and textiles, weaving and painting from India, Kenya, Malaysia, Singapore, South Africa and Western Australia.